The Dirty Boy Jr. Fuzz delivers vintage-style fuzz tones with rich sustain, dynamic cleanup, harmonic saturation, and expanded tonal flexibility thanks to its six-position frequency selector.

Hardwired in England

A faithful reproduction of our original 1960s unit using the same circuit configuration as the original design, combined with modern resistors, capacitors and original germanium transistors. The new pedal combines yesterday’s mojo and tone flavour with the reliability and stability of today’s technology.

The original prototype pedals – produced alongside Solasound Tonebender fuzzes – were only ever available in limited numbers and never released for general sales. Nonetheless these pedals were found all over the place – there is even a picture of Led Zeppelin’s Jimmy Page playing one. This is the only original Rotosound fuzz pedal of the era to be reissued.

The Warm Audio Warm Bender features dedicated selectable circuits for delivering two of the most iconic Tone Bender fuzz tones plus a bonus modern tone in one stomp box. Warm Bender’s NOS 76 setting brings a cutting, present tone to the front of any band, while the NOS 75 delivers that Mark II Professional-style Bender fuzz tone lauded by all the Riff-Lords of the 60s & 70s. Warm Bender is made with 100% through-hole construction using NOS Germanium transistors. Warm Bender houses two distinct Germanium fuzz circuits plus a third modern silicon circuit for a more smooth, distortion-like tone. With the added SAG control starving the voltage and the smaller pedal footprint, Warm Bender is the ultimate Bender fuzz experience.

Mocha Earth Music Exclusive Version - in Black and Silver

The original Interfax Harmonic Percolator, made famous by Steve Albini, were so few of them made.

To nail those Shellac tone now, the “Hurts” is what you need!  In fact, in the recent released "The Pedal Movie", the Latent Lemon Audio Hurts was featured on the floor in the interview with Steve Albini.  

The infamous Harmonic Percolator circuit tuned for maximum tone. Capable of filthy sub octave and wilful feedback, through to just a hint of grit, or an amp slamming transistor booster. Definitely more than just a fuzz.

The “Poison Ivy” octave harmonic fuzz pedal is modelled on a 60’s/early 70’s style Super Fuzz/Uni Fuzz but with some modern adjustments to improve the sound qualities.  The poison ivy is based on germanium diodes to give that vintage era fuzz sound. The 2-position tone network switch offers a choice between the full signal and a scooped signal that is more gritty.

The expander control takes the fuzz sound from a wide fuzz sound to a completely over the top Velcro ripping tight fuzz sound, providing some great octave tones.  There is no holding back with this fuzz pedal, it’s awesome and it’s almost like having two completely different fuzz pedals in one box.

The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the large aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.

All Flattley “Silver Range” pedals are hand processed in our Flattley paint shop. They are etch primed first to ensure that the primer bonds to the aluminium enclosure which also provides an anti-corrosive protection layer. Multiple coats of base coat primer applied, the silver base coat colour is then applied and topped off with several coats of lacquer. Once the lacquer is hardened, it is then hand polished to achieve the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals. The graphics designed in house by our graphics designer Phoebe Flattley are applied to “Silver Range” effects pedals by UV direct printing in our printing shop.

The “DG Fuzz ” is effectively a “dual pedal” consisting of a simplified version of our “The Ace” tone booster pedal coupled with a 1960s style fuzz and a typical period tone stack. The inclusion of a buffer means the pedal can be placed anywhere in a chain of pedals without changing the behaviour of the fuzz circuitry.

There are 4 controls in addition to the bypass switch that allows the effect to be switched in and out of circuit. A true bypass scheme is used, the effect is active when the halo ring is illuminated.

Some typical settings…

Fat fuzz: Grunt clockwise, Tone anti-clockwise, Fuzz and Volume to taste.

60s fuzz: Grunt midway, Tone midway, Fuzz and Volume to taste

Thin scratchy fuzz: Grunt minimum, Fuzz midway, Tone and Volume to taste.

The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the large aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.

All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.

Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.

The pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.

Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.

Imagine a gadget that harks back to classic, vintage sounds yet embraces ingenuity and forward-thinking design. That’s the Nero Fuzz.

At its heart is a rich FUZZ gain stage that beautifully cascades into a steadfast GLADIO SC circuit; a combination designed to unlock new realms of musical flexibility.

Equipped with two independent bias controls, you can effortless transition between tones with the click of a footswitch.

We’ve transformed the extraordinarily complex into the beautifully simple!

The Nero pedal combines a unique fuzz circuit with a built-in Gladio SC, activating both circuits simultaneously for a stacked drive effect. It features a "Comp" knob for compression management, altering overall compression, and two independent bias controls ("voices") for a range of fuzz and overdrive tones. Notably, Nero allows for flexible gain control, maintains high input impedance for pedalboard versatility, offers constant compression adjustment, and seamlessly transitions between gritty fuzz and full overdrive with a footswitch. It also achieves gated fuzz and nice cleanup effects under specific conditions.

The Focus Fuzz Deluxe brings back the original, sought-after Focus Fuzz circuit alongside a whole new bag of tricks.

Featuring an NOS germanium transistor, this golden gain machine covers the entire spectrum from gritty boost through to full-on fuzz, with or without its unique on-board octave effect.